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Shahrazad's Tooth - Reviews

Gretchen McCullough was raised in Harlingen Texas. After graduating from Brown University in 1984, she taught in Egypt Turkey and Japan. She earned her MFA from the University of Alabama and was awarded a teaching Fulbright to Syria from 1997-1999. Her stories and essays have appeared in the Texas Review, The Alaska Quarterly Review, The Barcelona Review, Archipelago, National Public Radio, Storysouth, Storyglossia, and Guernica. Translations in English and Arabic with Mohamed Metwalli include: Nizwa, Banipal, Brooklynrail in Translation, Al-Mustaqbel. Her bi-lingual book of short stories in English and Arabic, Three Stories From Cairo, was published in July 2011 by AFAQ Publishing House, Cairo. Other published stories are posted on her website http://www.gretchenmccullough.com. Currently she is a Senior Instructor in the Department of Rhetoric and Composition at the American University in Cairo. She has recently published her new collection of short stories about expatriate life in Cairo, Shahrazad’s Tooth, also published by AFAQ.

Shahrazad's Tooth: Cairo through expatriates' eyes

CAIRO: Living in Cairo for 13 years, the wackiness of daily life in such a hectic city can be exhausting, but Gretchen McCullough’s latest book Shahrazad’s Tooth captures the magic and absurdity of the city and its people with a humor few local writers have managed to achieve.

 

Shahrazad’s Tooth, a collection of short stories about people living in Cairo, highlights the cultural differences between expatriates and locals, inspired by expats and their experiences of daily life.

 

In “The Empty Flat Upstairs,” a Japanese expat struggles to cope with a culture that evades truth and places value on exaggeration and hyperbole, as her babwab continues to drive her crazy by lying to her about her upstairs neighbor. In “The Wedding Guest,” we watch an elderly tourist crash a swanky wedding in Sharm el-Sheik, and a costume designer recounts her life story.

 

“People in Cairo love to tell stories. Someone is always telling a story: taxi drivers, cleaners and maids, so I try to spend a lot of time listening,” McCullough told The Cairo Post.

 

Initially, McCullough wrote some of the stories for people living outside of Egypt. “I wanted to give people some insight about what it’s really like living here, as opposed to watching the news,” she said.

 

Nonetheless,  “Americans want the fast version, but there isn’t one. It’s been 13 years, and I keep discovering things I didn’t know. That’s why I like continuing to live here,” she said.

 

“It’s enriching,” she added.

 

McCullough has adopted Egypt as her home,and has chosen to integrate herself into Egyptian society as much as possible. “I think Cairo is a place that forces you to be flexible, whether you like it or not.  I try to have a range of friends and acquaintances,” she said.

 

Aside from teaching English and writing at the American University in Cairo, McCullough learned Arabic, and is now working on translating an Arabic novel by a Lebanese author.

 

Shahrazad’s Tooth is McCullough’s second book about life in Cairo; her previous book, 3 Stories from Cairo, was published in 2011. Poet Mohamed Metwalli translated it to Arabic, after McCullough realized many Egyptians aren’t aware of the foreign community in Egypt and their experiences and that her book could reach a different audience in Egypt.

Last week, in a study by British bank HSBC, Egypt ranked the worst out of 34 countries for expats for its considerable rise in xenophobia and political and economic instability, and increasing anti-American sentiment.

 

“Cairo’s a really complicated city,” said McCullough. “You’ve got to love that about it, but it can also be maddening. This stuff has been hard to deal with in the past year. Life has become more constrained since the revolution,” she said.

 

“The past two years, there’s been a lot of sadness and frustration, and what most Egyptians don’t know is that the expats feel it too. One time someone asked me, ‘What does that have to do with you?’ It does have to do with me because I’m in Egypt and I feel the anger, particularly because Egyptians express themselves a lot, and so you’re listening and you’re feeling,” she said.

Despite the ongoing problems, McCullough believes life in Egypt is both magical and enriching, a message that is evident inShahrazad’s Tooth.

 

“Cairo is a place where things can happen. I have a story titled ‘Cairo, throw away the script.’ You can’t have expectations, because that’s when great things can happen, and in Cairo, great things are always around the corner,” she said.

 

“Now more than ever, it is a time of possibilities, and I think a lot of people are feeling that energy. People want something different and they’re serious about it.”

 

As for her book, McCullough said, “I want my book to shed light on what it really means to live in this city and how to cope, and how people understand or misunderstand each other.”

 

Published by AFAQ publishing house with artwork designed by artist Laurance Rudic, Shahrazad’s Tooth is now sold at bookstores across Cairo, including Alef, Diwan and Shorouk and Kotob Khan.

Great Cairene Stories

 

September 25th 2013 5.0 out of 5 stars Amazon


By Ariadne

 

These are great stories about Cairo, and utterly original ones. As someone who has lived in Cairo for two years, I highly recommend reading them; they are really idiosyncratic. These are the best stories the writer has produced, of the same quality as what I call her Syrian stories (inspired by the years she lived in Syria) some of which you can read at the author's website http://www.gretchenmccullough.com/

Gretchen McCullough: Shahrazad's Tooth

Cairo 360

Born and raised in Texas, Gretchen McCullough's teaching career has taken her to Egypt, Turkey and Japan; currently, McCullough teaches writing in the Department of Rhetoric and Composition at the American University in Cairo. 

Released earlier this year, her latest publication is titled 'Shahrazad's Tooth'; a compilation of short stories revolving around a host of eccentric individuals and their experiences in Cairo. A large bulk of the stories are driven by the thoughts rummaging through the characters minds and, more often than not, they transpire to be both charming and relatable.

'Shahrazad's Tooth' has a colourful team of characters with strong presence, charisma and an air of familiarity. Digging deeper into their personal lives and problems, her writing style is distinct, bringing an American charm and non-linearity to her stories, which builds a pleasant intricacy.

With many of the characters connected by a single building in Garden City, McCullough allots the main characters in her stories as small cameos in others, spreading the characters' presence and allowing for further development. 

In 'A Little Honey and a Little Sunlight', we are given insight into the raging nature of Professor Gary by his dying neighbour, Joe Pulaski - a poet - reminiscing his days spent living in Cairo. Many pages later in 'Pure Water', we find ourselves reading from the eyes of Dr Gary as he spends time with his bulky Greek friend, Kolombos, in a mental asylum before the uprising of January 25th. The title story, meanwhile, sees two main protagonists; journalist and teacher, Mary Beth Somers, and her dentist, Dr Samy. Far from sappy, the two fall into a love which avoids the overt romantic notions seen in cliched literature, despite ending on a melancholic note.  

Aside from the characters, Cairo as a city is portrayed as an integral player in the stories. On regular occasions, vivid descriptions of popular places in the city are given, such as El Horreya, Windsor Bar, the Gezirah Club and Koshari Abou Tarek. Having visited all these places ourselves, it's obvious that McCullough has immersed herself in the city, and amongst its people, well beyond the point of a touristic escapade. She's become a sort of semi-native, in touch with Cairene culture, but maintains enough outside insight to give a new perspective to those who've been living in the city for too long.

With its mix of emotions and interesting character troupe, 'Shahrazad's Tooth' promises an entertaining, comforting read for both locals and foreigners alike.

 This is something very special ... 

 

October 15, 2013 5.0 out of 5 stars - Amazon


By Anders Dahlgren - Mediterranean Poetry

 

Gretchen McCullough 's vivid, rich and highly entertaining tales in Shahrazad 's Tooth are set in an environment (Cairo) crammed with exotic elements (one is experiencing coming from more northerly latitudes) combined with a colourful gallery of individuals (focusing perhaps on those who are guests in this fascinating city) becomes a fantastic, irresistible brew. A collection of stories that attracts smiles, laughter but also reflections and gives me new perspectives on the inscrutable creature we call human being.

The opening story: The Wedding Guest creates a sense of Fellini's dramatic world. Other stories again are woven into a conglomerate of noises, smells, images, feelings that makes me almost dizzy. Behind titles as: The Charm, Shahrazad 's Tooth, A Little Honey and A Little Sunlight ... waits a diverse collection of individuals with strong emotions and turbulent stories to tell. People you would have liked to meet in person or being able to see on the screen in a film directed by Fellini or why not - Woody Allen.

In these Nobel Prize times - the light has been set on the short story again. One talks about Chekov and celebrate 2013's winner Alice Munro ("master of the modern short story"). So, both Munro's and McCullough's work are on my bedside table right now. Both offer me great entertainment and true pleasure. You may wonder whom I'll be returning to ... For those who are fond of (read, an editor who is obsessed with) the Mediterranean world, the answer is of course easily guessed!

A fun read from someone who knows Cairo Well

 

September 22nd 2013 4.0 out of 5 stars

 

by Sherine Said at Scoop Empire

 

Gretchen McCullough’s Shahrazad’s Tooth and Other Stories, published in June of this year, link together quite well and is overall a short, enjoyable read. This is McCullough’s second book. The first book had three short stories in English published with their Arabic translation by Mohamed Metwalli. Two of the stories of the first book are now included in the new book.

 

Being a world traveler and having lived in Egypt for over seven years, McCullough understands well the dynamics of Egyptian society, as well as how it intertwines with the expatriate/foreign community living here. Her stories have the realistic feel of someone who really knows and understands Cairo well.

 

Her stories can be read as individual stories, but they also all link up in different ways. It’s a pleasurable read for both Egyptians and foreigners, though I think some of the American references might go over the heads of Egyptian readers.

“The Wedding Guest” features Botoxed, materialistic, wealthy Egyptians obsessed with excessive opulence interacting with foreign belly dancers at a wedding.

“The Empty Flat Upstairs” is about a Japanese woman trying to study and the daily hurdles she faces, especially when she is negotiating with the landlord and the bawab. This is so typically what many expats face when living in Cairo. Along with the difficulty of living in a very noisy Cairo, we are a loud culture, and this story shows how difficult this adjustment can be: “Japanese don’t love noise. Stillness is a value in our culture.”

In “A Little Honey and A Little Sunlight”, poet Joe Pulaski lays dying in a hospital bed in the United States after having lived in Egypt and reminisces about his experiences in Cairo: his friends, his apartment, the city.

“Taken Hostage By The Ugly Duck” is written from the perspective of Hoda, a frustrated, narrow-minded Egyptian housewife who decides to focus all her energy on her British gay neighbor instead of on her own problems. Her voyeurism turns into an obsession: “She enjoyed hating the Ugly Duck, much more than loving a man”.

In “The Charm”, Dr. Sheri goes through severe sexual harassment, narrowly escaping rape. She then falls into a severe depression. Her maid Zeinab is her only confidant and support.

In “Shahrazad’s Tooth”, the journalist/teacher Mary Beth Somer and the widower dentist Dr. Sami fall in love. The book is named after this story. It’s not the longest, I wonder if it was the author’s favorite. Mary Beth is a survivor of a Beirut kidnapping. Her descriptions of her hostage situation reminded me of An Evil Cradling by Brian Keenan, who had survived five years as a hostage in Lebanon. Her description of war-torn Lebanon seem so similar to what Syria is going through today: “People just disappeared. Sometimes, they were killed in the street on their way to buy bread. They just never came back.”

“Tiger” shows the contrast between a young American Goth and Adel, a well read Egyptian taxi driver.

The last story, “Pure water”, is divided into two parts with the same two main characters, Dr. Gary and Karalombos. The first story happens in pre-revolutionary Cairo and the second happens during the Jan. 25 revolution. The contrast of what Cairo was like and how it transformed overnight is very well depicted. This includes how the transformation affected foreigners living in Cairo as well as well-connected government officials.

 

There are commonalities in all of the stories. Many of the stories seem to revolve around one apartment building in Garden City. There are always eccentric personalities, someone losing their mind and either depression or frustration. Which embodies the way many of us feel at many different times of the day or year about Cairo. Like many of McCullough’s characters, Cairo can excite us or bring us to tears, and at many times one feels at the brink of insanity.

For a short read, the characters and details are many. The lives of university professors and writers. The role of pets in our lives and in our surroundings. How disappointing children can be in any culture. The inspiration and motivation that grandparents give. How xenophobia continues in the Middle East, with foreigners accused of being spies or affiliated with the CIA. The role of food in Egypt: lupin beans, koshary, Aswan peanuts. Relationships. America. Iraq. Depression. Death. The role of the bawab, the maid, the taxi driver in the life of Egyptians and foreigners.

McCullough manages to display all the idiosyncrasies of Cairo in a slightly comic, nondramatic tone. Although the opposite is happening. Cairo is endless amounts of fervor, hoopla, commotion, confusion and turmoil. For all its corruption, pollution, noise, havoc, chaos and double standards, Cairo is still endearing for both foreigners and Egyptians and they long for it when they leave. This is what McCullough captures best.

 

Marilyn Gardner, a blogger, couldn’t have said it better: “Cairo is a city that gets into your blood, under your skin, becomes a part of your DNA and every other phrase you can imagine to describe the connection that is Cairo. For all it’s dirt and chaos, our family loves this city. I think it’s because we are like the city. We’re loud, we’re chaotic, and we’re complicated; we can’t be put in a box.

 

Annemarie Neary's review 

Dec 04, 13

 

 

5 of 5 stars

 

Gretchen McCullough is an American academic who has lived and worked in Cairo for several years. Her stories are set mainly in the ex pat milieu, but if that conjures up gin slings and tennis then think again! The Cairo she writes about is full of bizarre, anarchic, extraordinary characters - a scissor-throwing Swedish belly-dancer, an man known as Ugly Duck with a colourful and very public love-life, an academic whose environmental protest spectacularly backfires, a pair of fugitives who sneak back into the country the day the Tahrir Square protests take hold. She writes cracking dialogue, and has a great line in dead-pan internal monologue. If you're considering visiting Cairo, let alone living there, read it! It's very funny stuff.

DON NOBLE: Live like an Egyptian, or at least an expatriate, via stories

Published: Saturday, January 11, 2014 at 11:00 p.m.

Last Modified: Thursday, January 9, 2014 at 11:46 p.m.

 

Gretchen McCullough, who earned the Master of Fine Arts degree in fiction writing at the University of Alabama, is an old Middle East hand.

She has taught in Turkey and Syria and now for many years at the American University in Cairo. Two years ago, McCullough published "Three Stories from Cairo" and now these and six more make up "Shahrazad's Tooth."

 

All are set in Cairo, not merely in recent times, but just about yesterday. The stories are informed and, in a simple sense, accurate—McCullough is a knowledgeable, experienced expatriate, a keen observer and fluent now in Arabic, but they are not, strictly speaking, realistic. They are not useful as guide books, or entertaining as travel narratives; they attempt to capture the flavor and the absurdity, the wackiness of everyday life in Cairo as Egyptians interact with expatriates of various stripes, who understand less than they think they do, and with hapless tourists who understand nothing at all.

 

Some explore the dilemmas of women. Keiko is a Japanese woman learning Arabic who is distressed by the fantastic amount of noise coming from the presumably empty flat upstairs. Of course the superintendent, the bawab, has rented it out, off the books, to a seamstress of belly dancing costumes who also has athletic meetings with male lovers.

 

A bored wife, Hoda, becomes obsessed with the sex life of her across-the-alley neighbor who buys a noisy parrot. Hoda retaliates by buying a noisy blue heron. All her husband wants is peace and quiet and bechamel lasagna.

 

The opening story, "The Wedding Guest," takes place at a grotesquely extravagant wedding at the Sharm il Sheikh Marriott, complete with belly dancers, horses and Nubian men in ostrich feathers.

 

"Shahrazad's Tooth," the title story, begins with a visit by an American, Mary Beth Somer, to a Cairo dentist. Somer had been kept hostage for 205 days in Lebanon 17 years earlier. She had written a book about her experience but refused therapy and would not talk about that experience or many others.

The dentist's only gift to Mary Beth is a leather-bound journal with her name engraved on it. "Write down the stories," he urges. After he has left, she does, and as with the heroine of "1001 Arabian Nights," we feel doing so will save her life.

 

In "Tiger," Hale, an American Goth from Tuscaloosa, visits Cairo after being ejected from the M.A. program at Ole Miss where he is specializing in Elvis Studies. Intellectually lazy and scornful of working in his father's hardware store, Hale meets Egyptians who do actually read Faulkner and would love to have a job, any job.

 

This volume ends with a pair of stories as absurd as the setting in which they occur. In "Pure Water," Gary, an American biologist, is losing his mind. To call attention to pollution, he has a ton of toxic fish dumped at the gate of the university. After a spell in a jail/mental ward, Gary and his new friend Karalombos, a Norwegian Greek ballroom dance instructor who believes he has impregnated The Big Man's daughter, flee to Malta.

 

In the sequel, they return surreptitiously to Cairo, only to land in the middle of the anti-government riots. In hiding, they become caregivers to a menagerie of bizarre animals including a diabetic chihuahua, but life inside their apartment is no crazier than the looters, tanks in the street and mayhem outside.

 

This review was originally broadcast on Alabama Public Radio. Don Noble is host of the Alabama Public Television literary interview show "Bookmark" and the editor of "A State of Laughter: Comic Fiction from Alabama."

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